Posted 1 week ago
Festival panelists (L to R): Wilma Kurvink (Wesley, Head Library/Info), Jane Geerling (Roxburgh, Head English), Jilian Horman (philosophy student), Jacob Oberman (Filmmaker, experienced), David Paech (Luther, Head Chaplain), Lucas Haynes (Filmmaker, emerging)
CAMPFIRE FILM FESTIVAL HIGHLIGHTS
With over 120 in attendance, the first Campfire Film Festival under the umbrella of the Campfire Film Foundation was a great event. ACMI’s Cinema One and The Cube hosted the main event with futurist Paul Higgins, a lively panel discussion and reflections from students, dance and awards, followed by a more exclusive and ‘uncensored’ discussion around some more challenging films at the LOOP bar. As organisers, there is much to learn for next time, but by all accounts, there was a lot to be proud of, and many people to thank for an exciting start to Campfire’s yearly flagship event. A very big thanks to:
AFCA (Australian Film Critics Assoc), especially Peter Krausz
ACMI (Aust. Centre for the Moving Image, our Screen Partners)
Victorian Multicultural Commission (under the Office Multicultural Affairs & Citizenship)
Emergent Futures, A.R.A.B., Image Control, InkSpire media, Peter Lester, Sarah Marriott (design) and our wonderful panelists:
Wilma Kurvink, Jane Geerling, Jilly Horman, Jacob Oberman, David Paech and Lucas Haynes… and the many other individuals who contributed to a successful event.

Paul Higgins, Emergent Futures

Campfire is unique amongst festivals with its passion for short films as an integral part of education. It’s mixture of serious and hilarious worked really well. The keynote was also really interesting, and a great way to start the day.

                       Helmut Boutros, filmmaker
I thought the panel discussion was outstanding. Peter Krausz the Facilitator, was excellent. He brought out each participant, and was impressive in encouraging their contributions. I felt it was an exciting panel, a great diversity, yet all with contributions to bring.
I really enjoyed seeing the films, and hearing from the filmmakers. It gave me a new appreciation of the passion involved in the creation of and preparing films. I found the Award process most engaging.
I think Campfire has such an important function in providing a forum where filmmakers can present their short films to teachers for use with young people.

                       Laurie Barton, Caulfield Grammar


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The Anti-Racism Action Band in full flight


Absolutely stunning!

                       Hans Christiansen, Balcombe Grammar School
.


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Kelly Hucker (VCA), Director “Kwik Fix” receives Best Comedy Runner-up (Flanked L&R: Campfire’s Richard Leigh & Tracy Bell)



It made me re-think how I could show my films - that schools are an amazing place to have issues be  seen and discussed through films. I really valued the importance given to shorts as a medium for learning and better understanding the complexity of our world. Also that film language is something that needs to be taught through critical thinking so that people can understand and communicate in this specific medium.


                       Kelly Hucker, Filmmaker, ‘Kwik Fix’
.


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Friends, runners-up and winners of the Campfire Award. L to R: Simon Palomares (comedian), Frank Fazio (star, Restare Uniti), Richard Leigh (Campfire managing director), Daniel Tenni (Director, Restare Uniti, runner-up Campfire Award), Alexandra Bekiaris (Exec Producer, “Most/The Bridge”, Winner, Campfire Award 2012)



Congratulations on a wonderful festival. I have been to many in the last few years and I can certainly say yours offers a unique experience. I loved the panel discussion. It is almost like a conference crossed with a film festival which is the best of both worlds! I’m sure it will only get bigger every year. Keep building it up!



                       Daniel Tenni, FIlmmaker ‘Restare Uniti (Stick Together)’


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THE MOST VALUABLE PART OF THE DAY?



Finding a short film (Restare Uniti) that will help with generating ideas related to a topic we are studying in English. Film is such an engaging way to approach a new topic. It helps to generate interest and ideas immediately. 


                       Jane Geerling, Roxburgh College (panelist)



As a teacher I came away inspired.  Teachers often feel threatened by the information revolution. What is their role as information providers if students can find out everything for themselves? Campfire points the way to a new model of education. The classroom of the future is less about the learning of basic information and is rather a place where students gather to discuss and teach each other. A place of higher order thinking and the synthesis of ideas.



In the humanities, this often occurs through the analysis of various texts. However, quality short films can broaden this approach to other disciplines, as well as concentrating the intensity of the experience - an initial film viewing followed by class discussion and then a re-viewing with new eyes all within a single lesson!  Students come away with a much deeper understanding of the issues, new perspectives, insights and empathy for their classmates’ views.



Powerful images and ideas make an impact far beyond that single lesson.  Teachers too are liberated from lecturing from the front and become learners and participants, as well as sharing their knowledge and experience.  A much more personal, rewarding and pleasurable educational experience for all!



                       Peter McClive, Sacred Heart Girls College
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SHORTLIST, RUNNERS-UP AND FINALISTS
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YOUTH AWARD
Winner: Larry, D: Henry Smith, Aust (NSW)
Runner-up: Formal (online at Campfire soon), D: Georgia Jensen, Aust (Qld)
Nothing More, Nothing Less
I’m Here
Elle N’Etait Plus La
To Claire, From Sonny
COMEDY AWARD
Winner: In the Fall, D: Steve Cutts, UK
Runner-up: Kwik Fix, D: Kelly Hucker, Aust (Vic)
The Money Shot
The Soup
Liebe in der Küche (Love in the Kitchen), [Part of the exclusive screening 2012] D: Teresa Hayer, Germany
0.5 Days
ENVIRONMENTAL AWARD
Winner: Gaia: Greek Goddess of Earth, D: Joe Jenkins, UK
Runner-up: Amy Goes to Wadjemup Island, D: Denise Groves, Aust (WA)
The Brunswick Browns
DOCUMENTARY AWARD
Winner: Love and Buns: The Hot Dog House, D: Jason Badgett, USA
Runner-up: What are we if different?, D: Diana Popovska, Aust (NSW)
What Next? Anna, Anastasios and Arthur
Night Fare
This Imagination
CAMPFIRE AWARD (Best overall discussion-starter)
Winner: Most (The Bridge), EP: Alexandra Bekiaris, Aust (WA)
Runner-up: Restare Uniti (We Stick Together), D: Daniel Tenni, Aust (WA)
White Paper [Screened 2012]
Barefoot
Little Bird [Part of the exclusive screening 2012], D: Jemma Van Loenen
Pieni Herääminen (A Small Awakening)
Also screened [2012]:
Rock & Roll is the Only Thing That Makes me Feel Good (with report by Karla Brenner Yr12 philosophy student at John Monash Science school)

What did you most enjoy about the festival?

Festival panelists (L to R): Wilma Kurvink (Wesley, Head Library/Info), Jane Geerling (Roxburgh, Head English), Jilian Horman (philosophy student), Jacob Oberman (Filmmaker, experienced), David Paech (Luther, Head Chaplain), Lucas Haynes (Filmmaker, emerging)

CAMPFIRE FILM FESTIVAL HIGHLIGHTS

With over 120 in attendance, the first Campfire Film Festival under the umbrella of the Campfire Film Foundation was a great event. ACMI’s Cinema One and The Cube hosted the main event with futurist Paul Higgins, a lively panel discussion and reflections from students, dance and awards, followed by a more exclusive and ‘uncensored’ discussion around some more challenging films at the LOOP bar. As organisers, there is much to learn for next time, but by all accounts, there was a lot to be proud of, and many people to thank for an exciting start to Campfire’s yearly flagship event. A very big thanks to:

AFCA (Australian Film Critics Assoc), especially Peter Krausz

ACMI (Aust. Centre for the Moving Image, our Screen Partners)

Victorian Multicultural Commission (under the Office Multicultural Affairs & Citizenship)

Emergent Futures, A.R.A.B., Image Control, InkSpire media, Peter Lester, Sarah Marriott (design) and our wonderful panelists:

Wilma Kurvink, Jane Geerling, Jilly Horman, Jacob Oberman, David Paech and Lucas Haynes… and the many other individuals who contributed to a successful event.

Paul Higgins, Emergent Futures

Paul Higgins, Emergent Futures

Campfire is unique amongst festivals with its passion for short films as an integral part of education. It’s mixture of serious and hilarious worked really well. The keynote was also really interesting, and a great way to start the day.

                       Helmut Boutros, filmmaker

I thought the panel discussion was outstanding. Peter Krausz the Facilitator, was excellent. He brought out each participant, and was impressive in encouraging their contributions. I felt it was an exciting panel, a great diversity, yet all with contributions to bring.
I really enjoyed seeing the films, and hearing from the filmmakers. It gave me a new appreciation of the passion involved in the creation of and preparing films. I found the Award process most engaging.
I think Campfire has such an important function in providing a forum where filmmakers can present their short films to teachers for use with young people.

                       Laurie Barton, Caulfield Grammar

ARAB (Anti-Racism Action Band)
.
The Anti-Racism Action Band in full flight
Absolutely stunning!
                       Hans Christiansen, Balcombe Grammar School
.
Fiona Hucker receives Best Comedy Short runner-up, explains back-story
.
Kelly Hucker (VCA), Director “Kwik Fix” receives Best Comedy Runner-up (Flanked L&R: Campfire’s Richard Leigh & Tracy Bell)
It made me re-think how I could show my films - that schools are an amazing place to have issues be  seen and discussed through films. I really valued the importance given to shorts as a medium for learning and better understanding the complexity of our world. Also that film language is something that needs to be taught through critical thinking so that people can understand and communicate in this specific medium.
                       Kelly Hucker, Filmmaker, ‘Kwik Fix’
.
Friends, runners-up and winners of the Campfire Award
.
Friends, runners-up and winners of the Campfire Award. L to R: Simon Palomares (comedian), Frank Fazio (star, Restare Uniti), Richard Leigh (Campfire managing director), Daniel Tenni (Director, Restare Uniti, runner-up Campfire Award), Alexandra Bekiaris (Exec Producer, “Most/The Bridge”, Winner, Campfire Award 2012)

Congratulations on a wonderful festival. I have been to many in the last few years and I can certainly say yours offers a unique experience. I loved the panel discussion. It is almost like a conference crossed with a film festival which is the best of both worlds! I’m sure it will only get bigger every year. Keep building it up!
                       Daniel Tenni, FIlmmaker ‘Restare Uniti (Stick Together)’
.
THE MOST VALUABLE PART OF THE DAY?

Finding a short film (Restare Uniti) that will help with generating ideas related to a topic we are studying in English. Film is such an engaging way to approach a new topic. It helps to generate interest and ideas immediately. 
                       Jane Geerling, Roxburgh College (panelist)
As a teacher I came away inspired.  Teachers often feel threatened by the information revolution. What is their role as information providers if students can find out everything for themselves? Campfire points the way to a new model of education. The classroom of the future is less about the learning of basic information and is rather a place where students gather to discuss and teach each other. A place of higher order thinking and the synthesis of ideas.
In the humanities, this often occurs through the analysis of various texts. However, quality short films can broaden this approach to other disciplines, as well as concentrating the intensity of the experience - an initial film viewing followed by class discussion and then a re-viewing with new eyes all within a single lesson!  Students come away with a much deeper understanding of the issues, new perspectives, insights and empathy for their classmates’ views.
Powerful images and ideas make an impact far beyond that single lesson.  Teachers too are liberated from lecturing from the front and become learners and participants, as well as sharing their knowledge and experience.  A much more personal, rewarding and pleasurable educational experience for all!
                       Peter McClive, Sacred Heart Girls College
.
SHORTLIST, RUNNERS-UP AND FINALISTS
.
Campfire Film Festival 2012 Awards


YOUTH AWARD

COMEDY AWARD

  • Winner: In the Fall, D: Steve Cutts, UK
  • Runner-up: Kwik Fix, D: Kelly Hucker, Aust (Vic)
  • The Money Shot
  • The Soup
  • Liebe in der Küche (Love in the Kitchen), [Part of the exclusive screening 2012] D: Teresa Hayer, Germany
  • 0.5 Days

ENVIRONMENTAL AWARD

DOCUMENTARY AWARD

CAMPFIRE AWARD (Best overall discussion-starter)

Also screened [2012]:


What did you most enjoy about the festival?
Posted 3 weeks ago

ANNOUNCING: NEW AWARD CATEGORIES FOR 2012-13

It’s less than one week to our Festival for 2012, but we’re already looking beyond with the interests of Australian schools in particular.

Campfire promotes short films for use in classrooms around the world. Based in Melbourne, Australia, we are also vitally interested in supporting teachers in our home country. The new Australian Curriculum, following the directions of the Melbourne Declaration, promotes 3 significant themes for Australian schools over the coming years:

  1. Australia in the Asian region
  2. Australian Aboriginal perspectives
  3. Environmental awareness

The Campfire Awards in 2012 already include “Best Environmental Short”, and today we’re adding two additional categories for “Asian Region” and “Aboriginal Perspectives”.

All films submitted to the Campfire Film Festival after 14 May will now go into the running for an award in 2013 for one of the following categories:

  • Asian region
  • Aboriginal perspectives
  • Environment
  • Youth
  • Comedy
  • Documentary

Campfire is pleased to continue actively supporting teachers using short films for engaging students in higher order thinking. We accept quality films from filmmakers young and old, anywhere in the world.

Posted 4 weeks ago

It IS huge - TED extending its arms into educational videos. But already we’re learning things about how it works, and it already has its detractors. This, from Hack Education:

There are currently 60+ videos available, and while the animation is pretty snazzy, the content cannot be remixed or mashed-up as nothing isn’t openly licensed. Just what education needs – more proprietary content, another defensive brand. Shelly Blake-Plock argues there are other problems with the site: the emphasis on consuming rather than making.

Certainly an area to watch and discuss. I’m not as “depressed” about where TED Ed is going as Shelly. There’s some exciting things ahead here.

My prediction: with big players like TED, Khan & YouTube in the same space now working together, there’s going to be lots of fireworks to watch in educational innovation in the months ahead.

My only negativity about it all comes from the dream I have, that education is something greater than a knowledge-imparting exercise. Something greater than a lesson with a summary.

Something much greater.

Something deeper.

It’s why I love doing what we do at Campfire.

Posted 4 weeks ago
A relaxing afternoon’s professional development for teachers
ONLY $30 ($15 for Campfire Members)
Information: Download printable pdf
TICKETS: on sale at ACMI

A relaxing afternoon’s professional development for teachers

ONLY $30 ($15 for Campfire Members)

Information: Download printable pdf

TICKETS: on sale at ACMI

Posted 1 month ago
Julian Assange has a TV show. OK, a web show; done his way, with the help of an independent British production company.
Whatever you make of Julian, you’ve gotta him full marks for re-imagining the flow of information.

Julian Assange has a TV show. OK, a web show; done his way, with the help of an independent British production company.

Whatever you make of Julian, you’ve gotta him full marks for re-imagining the flow of information.

Posted 1 month ago

A vision of AUDACITY

What’s your school’s motto?

What about its mission?

Does it also have a vision statement?

Have you ever read these? What about those of other schools?

As I travel around to different schools, it’s surprisingly helpful to read these lofty words and statements to get a sense of the school’s character.

  • Respect, learn and achieve
  • Honour the work
  • To know, to do, to live, to be
  • Harmony and success
  • Educating individuals

Add to these, words like ‘innovation’, ‘excellence’ and ‘growing’ and you have the words that many schools use to describe themselves. They’re all good words — focused, positive and inspiring — but after a while I have to admit they all start to sound a bit the same.

It was a bit of a surprise, then, to come across a word like ‘audacity’.

Audacity?

Did I read it right? Doesn’t that mean rude? Part of the larger mission statement of the Lavalla Catholic College in Traralgon, Victoria, reads


“With audacity and hope we learn and grow…”


Audacity and hope. There’s something strangely appealing about that.

Audacity and hope. It’s not about arrogance or rudeness, but a strength of resolve and boldness. And hope; a hope that gives that audacious confidence some direction.

Yes. Audacity. The willingness to take bold risks. There should be more of it.

Lavalla College; I salute you, and I thank you for using such a unique and inspiring word.

Do the guiding statements of YOUR school inspire you?

Posted 1 month ago

Five Critiques of the OER Movement

Jeremy Know, 5 critiques

For Australian educators holiday reading, here is an essay on the Open Educational Resources movement. Take time to absorb.

(Source: hackeducation)

Posted 2 months ago

Media students: Filmmaker’s scrapbook #1

Vasco Era’s Rock and Roll is the Only Thing That Makes Me Feel Good joined us at Campfire earlier on this year. The music video was produced by Plot and shot around the inner suburbs of Melbourne, Aust. Here’s a quick glimpse into the making of a music video.


Where did the idea for the song come from?

Sid O’Neil (vocals/guitar): The idea came from me standing at a waterfall called Iguazu falls which is supposed to have all of these positive effects on your psyche. It really did work but then I still felt like something was missing. I got back to the town and listened to roadrunner, by Jonathan Richman and realized that i made me feel better than anything nature can provide.


And the music video, who came up with the concept?

The filmclip was our bassist Ted’s idea. He just wanted to have lots of things thrown at my face because he is my brother and brothers like that sort of thing. 

The shoot…

…remembering to clean-up at the end of the day :)

Posted 2 months ago
MEDIA TEACHERS +
http://www.wix.com/emma216276/thsmedia
Some teachers just have bundles of energy! Not only does Emma McCulloch at Thornbury High School (Melbourne) run ClassTV on Channel31 out of the school’s own studio, she also has a great website with resources for Media teachers. She’s been savvy enough to build it using what looks like a great DIY resource called wix.com
Have a look at some of her work and be inspired! Go Emma!
Do you have a website or resources of your own you’d like to share?

MEDIA TEACHERS +

http://www.wix.com/emma216276/thsmedia

Some teachers just have bundles of energy! Not only does Emma McCulloch at Thornbury High School (Melbourne) run ClassTV on Channel31 out of the school’s own studio, she also has a great website with resources for Media teachers. She’s been savvy enough to build it using what looks like a great DIY resource called wix.com

Have a look at some of her work and be inspired! Go Emma!

Do you have a website or resources of your own you’d like to share?

Posted 2 months ago

The trouble with science

“Science teachers are always at the cutting edge of education and technology.”

That’s what a friend of mine was told at a recent staff meeting. If you knew Peter, you’d know why that was said about him in particular. He’s always finding new apps, websites, games and strategies for engaging and motivating students in science. When I was teaching science, I often took my cues from him. I have a lot to learn, and I continue to learn from him in areas beyond science too. There is so MUCH that can be done in in this field to create interest, engagement and ‘wow’ factor. And yet…

There’s one big problem teaching science. It’s the problem of perception that many students have coming into it, especially for the first time. The perception is that science is:

  • fact
  • about logic, procedure and methodology
  • about rules and laws
  • lacking emotion

And that’s the trouble with science — these perceptions are only partially true.

In reality, I think science is

  • about being inquisitive, exploring, thinking and learning
  • about asking the how questions, and discovering that behind every HOW question is a WHY question
  • about wondering how much further you can continue to ask the WHY questions
  • about life

For Campfire, the trouble has also been that science films are often hard to come by. I think it’s largely because filmmakers generally don’t get too excited about science, for its perceived lack of emotion. Oh there’s plenty of ‘educational’ videos – instructional, didactic, fact-imparting programs – but I’m talking about films with heart. When was the last time you went to a short film festival, for example, and watched a film on a scientific topic?

Well, it’s been a good week. At last we’ve come across some engaging science films. One’s a little old, but they all past the test of having the potential to create honest discussion. I’ve also learned that one (and maybe more) we’ve categorised as predominantly English / humanities would actually best fit in a Science / technology category. Now that I think about it… given that there’s a science of pretty much everything, I can’t see why MOST of the films you’d find at Campfire couldn’t work as discussion-starters for different areas of science!

That’s the trouble with science. Once it has you excited about exploring and learning, there’s no turning back.

Now available as short films for science at Campfire:

THE BRUNSWICK BROWNS

http://campfire.org.au/film/the-brunswick-browns

Suits

Primary: science, environmental issues

Secondary: Yr9 environmental science

A heart-warming tale of 6-year-old Ollie’s love of his chooks. A real ‘think global act local’ story told from a waist-high point of view.

GAIA: GREEK GODDESS OF EARTH

http://campfire.org.au/film/gaia-greek-goddess-of-earth

Suits

Secondary: Yr9 environmental science, Yr10 Earth & origins

Imagine the Earth as a 45 year-old woman, and you get a picture of the staggering timeline drawn up by a great consensus of the world’s scientists. Deeply troubling is the damage us humans have inflicted on the planet. Who says science is not emotional?

MY GREEN FRIDAY

http://campfire.org.au/film/my-green-friday

Suits

Secondary: Yr7 the senses; Yr9 responding & controlling (nervous system / hormonal system); vision, sight, optical illusions; Yr11 & 12 psychology

What filmmaker would NOT want to make a film about a subject as esoteric as synaesthesia, and one that lends itself to so much colour, movement and inexact interpretation. This has the wonder factor that we always look for in short films that keeps one thinking after you’ve finished watching.

We don’t want information — that’s what web-searches are for. We’re looking for exploration… the excitement of wonder… and life.

Do you know of any other short science films we should know about?

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